I'll be honest, like with many comics over the years for me, it was the cover that drew me in [it is currently my screensaver on my home pc, great job Patrick Zircher]. That, and maybe also because I've been in a noir-ish mood. But this black-trench coat wearing, weapon-wielding Spidy throwback looked interesting enough to pursue. I did wait for the trade paperback on this one, and was pleasantly surprised when Marvel released the book in a 5 x 7ish trade, not quite manga sized, and yet not full-sized either. It was perfect for a mass transit ride, and it felt special in it's own mid-sized treatment.
Illustrations such as this splash page opener -- invigorating with movement and tension made for a perfect noir comic book experience.And is that Spidy with a pistol? Why yes it is. This isn't your grandfather's Spider-Man. Actually it might be your great-grandfather's Spidy - as it takes place in the 1930s after World War I.
Spidy's Uncle Ben was a WW I veteran that tried to teach him about what it meant to be a hero before he passed. But this is a dark era, the Great Depression is here --Peter isn't the innocent kid that we know and love.
He blames the gangster - The Goblin - for the problems that the city and those close to him face. Peter confides in beat reporter, Ben Ulrick, a sorry cause yet an earnest character in this story.
Or the 1980s film, Time After Time, in which Jack the Ripper, steals away to the future in a time machine.
Take an institution and re-imagine it in a new creative context. Sometimes it isn't done right, but when it is, it makes for some great reading or viewing.



